Monday, November 2, 2015

Ultimate Studio Monitors Purchased, Design Challenges Create Setbacks

Well, you win some, you lose some.  First, the good news.  Last week, just on a lark, I checked the DC area Craigslist for any gear I might be looking to purchase for the new studio.  To my surprise, someone had listed the monitors I would buy if I had the money - the ATC SCM150ASLs (over $20,000 new!) - at a price I could actually afford!

Now, I was planning on going with a great set of monitors, the Neumann KH420s, at less than half the retail cost.  But when I saw that the ATCs were being sold at an amazing price, I had to follow up on this.  Turns out, I knew the guy selling them (I shouldn't be surprised by this, I guess).  He had recently been over to the house and even helped me envision the layout for the new space!  So, right away, my normal anxieties about buying high value items on Craigslist disappeared.  I got the cash, trekked out the boonies to his farmhouse/studio, where he had them set up for me to demo.

WOW.

I had never seen speakers this massive (35" x 20" x 25", I believe), and the sound was equally massive.  The bass was huge, yet super tight and controlled (the frequency response goes down to 25 Hz with its 15" bass driver).  The 3" dome midrange was incredible clear and revealing.  The highs were not harsh, yet honest, and I instantly noticed a fast transient response.  Apparently, the tweeter is a special prototype ATC made to further improve upon the design!



My friend and musical brother Dan Fisk was kind enough to swing by with his truck, and before we carted them away, I played the record I produced for Dan - and it never sounded better.  SOLD!



Getting them in the track was no easy task, and then we had to slowly travel down miles of harsh gravel roads in Leesburg, VA to get to my friend's house nearby, where we stashed them for the time being.  All in all, a very exciting day, and very exciting opportunity to pick up these dream monitors!

Well, that was yesterday.  Today, I had a call with my designer Wes, and found out that no progress had been made on my plans due to the still lingering decision on what to do about the support poles I talked about in my last post.  I was disappointed to find out that this one piece was holding up the works.  I knew ahead of time there would be unforseen delays, but I didn't think this would be one of them.  So, I'm trying to get the final design from my structural engineer, so I can provide it to Wes and he can start working in earnest.  The only problem is, it will take 6 weeks to do the initial set of plans, and that falls smack in the middle of my honeymoon in Hawaii (I know, boo hoo...).  But it also means I would have to be getting contractors involved to bid on the work while I'm in Hawaii, which wouldn't be good for any number of reasons.

This week, I've been telling myself to accept the things I can't change or control.  But it's hard.  Especially when you're someone who's worked independently for so many years.  But I have to take the long view on this and realize that all the consternation will ultimately be worth it, as I will have the studio of my dreams in just a few months.  On to the next challenge...and back to work!

Monday, October 19, 2015

Awaiting Structural Design, Acoustic Treatment For Floors Above Studio

This week, I'm waiting for Shashi, my Structural Engineer to finalize his design for moving the "lolly poles" in the basement.  That's a new term for me!  They are the 3 columns supporting the i-beam in the basement, and well, the whole house.  In order to maximize space and maintain the integrity of Wes' studio design at least one of the poles needs to be moved or removed entirely.  This requires careful planning to reinforce the i-beam (presumably with additional beams) so that the load can be shifted and the house doesn't collapse!  This is already adding cost to an already costly project.

Another cost we didn't bargain for relates to the treatment of the floors on the main level, above the studio.  In order to minimize footfall noise (people walking around upstairs) coming into the studio, a special acoustic underlayment (rubber mat) needs to be installed under the hardwood floors.  It's frustrating, but because this is a production home, the builder seems unwilling to let us install the underlayment during the initial flooring install.  It would raise the floors at least a 1/2 inch, and there are more impacts than might immediately be apparent.  Moulding around the front and rear exterior door frames would need to be cut, quarter round moulding would need to be cut into around the vents in the kitchen island, and appliances would need to be raised, among other things.  One problematic issue is that raising the height of the floor would decrease the height of the first step leading to the bedroom level.  This is potentially a code violation and trip hazard, so we have to see what the code says about it.  If we can't install the underlayment first, we will be forced to rip up all the flooring, put down the underlayment, and then put the flooring right back down (not as easy as it sounds, and quite possible not doable at all).  Either way, the cost to take up the floors in a way that doesn't damage the wood will add a few thousand dollars of extra cost.

Both the structural changes and floor underlayment install will have to be done before my wife and I can move into the new house, so we have to figure out the solution and find contractors very soon.  Hoping something goes our way!

                                       (Pictured: poles connected to i-beam in future studio)

Friday, October 2, 2015

PLANS UNDERWAY FOR NEW, LARGER, STATE-OF-THE-ART STUDIO!

We're excited to announce that Innovation Station Music will be building a brand new, state-of-the-art recording studio, relocating in early 2016 to nearby Annandale, VA!  We've hired one of the top studio designers on the planet, Wes Lachot, to develop the plans for what will be a world-class recording facility.  Notably, Wes' portfolio includes studios at Electric Lady (originally Jimi Hendrix's studio in NYC) and the Fidelitorium in NC (owned by R.E.M. Producer Mitch Easter).

There will be two studios running in parallel: Studio A will feature a beautiful control room, a 400+ sq. ft tracking room, and a large isolation booth, big enough for a drum kit or horn section.  Studio B contains a smaller control room and adjacent isolation booth, both of which will be tied in with Studio A for even more flexibility with live band recording.

Wes will be on site next Sunday, Oct 11 to take detailed measurements and begin work on the blueprints.  It takes about 3 months to develop a set of about 25 plans, and the buildout will take another few months.  Our goals are to achieve complete isolation between rooms and to the outside, with musically accurate mix rooms and sweet-sounding live spaces.


This week, we discovered there were 3 "lolly" poles attached to a support beam in the basement that needed to be moved.  Wes recommended I retain a Structural Engineer to see if and how the poles could be moved so as not to conflict with the studio design.  Yesterday, the engineer came out to the space and we got Wes on the phone - looks like we have some options, but it will require shifting the load and reinforcing the support beams to move/remove the problem poles.  We should be having a pow-wow on Monday to discuss further.  Just one of the many challenges I'm sure we'll encounter as the project progresses...

Here's a sneak peek of the proposed layout below.  Stay tuned for progress updates! 






Monday, January 5, 2015

Joan and Joni - feat. Kipyn Martin and Allison Shapira - Release Show Jan. 14!

Happy New Year to all!  I had the good fortune to work on an amazing project with local folk singers Kipyn Martin and Allison Shapira, paying tribute to Joni Mitchell and Joan Baez (respectively).  I produced a 5-song EP containing breathtaking performances of some of the legendary folk artists' best songs.

"Joan and Joni" will perform their first concert on Wednesday, January 14, at 7:30 pm at Seekers Church, 276 Carroll Street, NW, Washington, DC (directly across from the Takoma Metro). This is a show you don't want to miss.  It'll also be your first chance to pick up a copy of the EP, which I'm incredibly proud of!



For more info, go to www.joanandjoni.com. Tickets may be purchased in advance here, or at the door. Thanks for supporting this amazing project!